I am Thunder by Mohammad Khan

2018

Muzna Saleem is the only child of Pakistani parents.  Her mother and father have high hopes of her becoming a doctor but she wants to be a writer.  Her father loses his job and a cousin takes pity on them.  They move into a flat above the cousin’s Michelin-starred restaurant and her father becomes a waiter.

This offers Muzna an opportunity to reinvent herself as she starts at a new school.   She is still a   serious scholar and gets on well with English teacher and form tutor, Mr Dunthorpe. And she meets Arif Malik.

She becomes convinced by Arif and his brother Jameel that the Islamic faith is the right one but just in time realises that Jameel is a terrorist.  She goes to the police.

Mohammad Khan’s narrative is very convincing.  We really get to know Muzna well and can understand how she almost became radicalized. The issue is complex. Muzna’s teenage rebellion against her parents takes the form of her becoming more religious.

This is truly a bildungsroman. Muzna learns to make her own mind up. It has an upbeat ending: she successfully helps the police to prevent a disaster, she is reconciled with her parents and in the final scene she meets Arif again.  There is every hope that their relationship can continue.           

 

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The Art of Kate Greenaway by Ina Taylor

1991  

This book gives us a brief introduction to Kate Greenaway’s life. We get to know a little about the young woman who never really grew up. She is portrayed as naïve, a very talented artist and seamstress, and as a rather shy person. She makes a lot of money from her work but then overspends somewhat though she never really gets into extreme difficulties.

The account whets the appetite for more information about Greenaway. Adults might now like to read a more in-depth biography. There is probably enough material here for a secondary school student who wished to complete a school project though more may be needed for GCSE Art or A-Level art.

There are many very well annotated examples of Greenaway’s work.     

The book is 127 pages long, hardback, and it contains a useful bibliography at the end.    

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The Horse and His Boy by C S Lewis

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 2007, first published 1954  

We have a familiar fairy tale trope here:  a prince is abducted and brought up by a poor family. Shasta meets talking horse Bree.  They set out for Narnia, meeting another talking horse Hwin and her rider, the runaway princess Aravis.

Eventually, Shasta is mistaken for the Prince Corin. Later we establish that Shasta is really Corin’s twin brother,  Cor.  Cor is the rightful heir to the throne and he is the one that was born first. Corin is full of fun and often takes unnecessary risks that land him in trouble. Cor is more cautious but less experienced in battle.

Edmund, Lucy, Peter and Susan are still kings and queens in Narnia.  Susan escapes marriage to Rabadash.  Lucy, Peter and Edmund are active in the battle with the Calormens. Susan waits behind at the castle. Is this a hint that she is already growing too grand for Narnia?

Aslan appears again.  He guides Shasta along a ledge and protects him from falling and he scratches Aravis’s back to show her how a slave girl who was punished because of her would feel.

The four children use a strange language. Are they as Susan will claim in a later novel just playing some sort of fantasy game about Narnia? Also a little odd, they  freely drink wine and sometimes stronger alcohol. There is much talk of marriage. Can we interpret this as an archetypal fairy tale?

The book is 240 pages long, in an adult font that is slightly larger than normal. The text is blocked.  There are some line drawings which illustrate.  There is a map at the beginning of the book.

The Last Battle by C S Lewis

 

 

 

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2009, first published 1956

In this novel we met all of the people from our world who have travelled to Narnia – except for Susan who dismisses  the earlier adventure a s child’s play and who is now more interested in stockings and lipstick. Narnia‘s world ends and they enter a new world. We should feel sorry for Susan. It seems that her brothers and sister have been killed in a train accident and gone to - heaven?

Before that happens, though, first Jill and Eustace, later joined by Peter, Edmund and Lucy, have to have a real adventure in the original Narnia. They have to a battle with the perhaps unfortunately named Darkies –a brown-skinned race who attack Narnia and try to deforest it.

The story starts off in a comic way.  A talking ape and his friend, a donkey, find a lion skin. The ape dresses the donkey in this and pretends it is Aslan and that Aslan approves of what he is doing with Narnia’s enemy.

There are echoes of Plato; the dwarves are enclosed in a stable and can’t see the wider world beyond the stable. Even when they are let out they still seem to be in the dark. They are offered splendid food but only understand it as basic roots and tasteless mush.  Fine wine becomes to them polluted water.

Adult readers, even Christian ones, may find some of the religious symbolism troubling.  Younger readers may find it puzzling.

Nevertheless this is an engaging adventure with an upbeat ending.

The book is 268 pages long, printed in blocked text in an adult font. There are several monochrome illustrations and maps at the beginning of the book.